World War Z 2 release date: Has World War Z 2 been cancelled?Īt a certain point, the continuation was planned for discharge in 2017 however, that opportunity arrived and abandoned creation in any event, having started. in 'Ant-Man 3'Īt the point when that day stays not yet clear, however, like the zombies in the film, the spin-off could become alive once again, and on the off chance that it does, it would have had a long excursion to the screen. and $236M overseas.Read Also Corey Stoll Describes Unusual Experience of Playing M.O.D.O.K. **It's worth noting that the budgets of the Resident Evil films have grown as its foreign grosses have skyrocketed: the latest entry in the series made $60M in the U.S. But were those really "zombies"? It wasn’t exactly marketed as such, right? *You could argue that I Am Legend was a big budget, star-centric zombie movie. But if The New Abnormal is really all about franchises, why not actually run a film series like an actual franchise, a la McDonalds or Burger King? Strikes me as a remarkably lucrative, remarkably risk-free stream of revenue. The American studios wouldn’t even have to make these films: You could sell the rights to homegrown film production companies for a flat fee ($5M?) and a cut of the gross (10% off the top?). Maturing markets each, these flicks could replicate the traditional zombie movie model mentioned above: make them for cheap and watch the money roll in. So here’s my idea: In addition to the inevitable Brad Pitt-starring sequel set in America, why not spin off a number of local production deals in foreign countries? World War Z: The Russian Frontier, World War Z: The Great Wall of China, and World War Z: The Defense of Kashmir. In a voiceover, Gerry exhorts the surviving humans (of which there appear to be plenty) to fight back and reclaim their homes. special envoy Gerry Lane over and over again, the studios have a chance to do something innovative with this series.Īt the film’s close, we see a series of brief shots of global zombie battles: a battle rages in the streets of Moscow while rural Americans stock up on shotguns and dudes with flamethrowers defend an apartment complex. The franchise is the key, and here’s where things get interesting: rather than a traditional sequel-based franchise where Brad Pitt stars as U.N. World War Z fits 1, 2, and 3 nicely: It’s based on a popular, best selling book it stars a guy who sells well overseas*** and it could definitely generate a franchise. It should generate a Franchise and/or Sequel (also a factor of 1 and 2)." You must have heard of the Title before it must have preawareness. But how and when did they figure all this out? And what, exactly, did they figure out? There seemed to be three key components: 1. They were shooting the moon, and often they hit the target," Obst writes. "The studios took the formula and ran with it. In the new book Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, longtime producer Lynda Obst writes that the collapse of the DVD market and the failure of Blu-ray/streaming video to fill that void has forced studios to focus on their one growing revenue stream: overseas markets. (Some spoilers about the closing shots of World War Z coming up.) Will the risk pay off? It all depends on the international markets and whether the film can be turned into a franchise. The production was famously troubled, with reshoots, script rewrites, and other issues delaying the release by a year and putting sweat on the brow of many an exec. The budget was massive ($190 million according to Box Office Mojo, plus god knows how much in marketing) and its scale was equally huge, with shoots in the Middle East, America, and Wales. But if you play your cards right you’ll fall right into that meaty part of the curve inhabited by the Resident Evil pictures (five entries and counting, all of which have grossed $40 to $60 million domestically**), Zack Snyder’s Dawn of the Dead ($59 million), and 28 Days Later ($45 million).īrad Pitt’s World War Z (which I reviewed here) has taken the opposite tack. Sometimes you get lucky with a Zombieland ($75 million gross), sometimes you get a little unlucky with a 28 Weeks Later ($28 million). You shoot in a limited number of places and stock up on non-stars to keep costs down in the hopes of nabbing a $40 to $60 million gross.
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